lillie (1997)
- for string quartet, horn in F and soprano voice (approx. 5 mins)
equus (1998) - for oboe, clarinet in Bb, bassoon, trumpet in Bb, horn in F and strings (approx. 8 mins)
what do you know about factory? (1999) - electro-acoustic piece (3:19)
angry concrete (1999 - 2001) - for double string quartet, one acoustic, one manipulated by electronics in real time
high #1 (2000) - electro-acoustic piece (7:28)
staging discord (2001) - electro-acoustic piece created from piano samples (2:10)
inside out...unplugged (2001) - for flute, clarinet in Bb, horn in F, trumpet in Bb and piano, an acoustic realisation of an electro-acoustic piece by Ed Kelly (approx. 10 mins)
absence of noise (2002 - 03) - for 3 flutes, 2 oboes, 2 clarinets in Bb, bass clarinet, 2 bassoons, 2 horns in F, 2 trumpets in Bb, 2 trombones, tuba, marimba, xylophone, vibraphone, piano sustain and strings (approx. 15 mins)
one room (2004) - for 2 flutes, alto flute, 2 oboes, english horn, 2 clarinets in Bb, ba
ss clarinet, 2 bassoons, 4 horns in F, 3 trumpets in Bb, 3 trombones, tuba, glockenspiel, vibraphone, harp and strings (approx. 12 mins)
glass is made of sand (2005) - for chamber orchestra, field recordings, electronically generated sounds and electronic treatments (30:10 total)
The Narrator Awaits... (2005 - 06) - for orchestra, voice, field recordings, electronically generated sounds and electronic treatments. Based on a short story by Michael G. Breece (26:18)
1. In the darkest crevice of the mind...one will find... (5:22)
2. Atmospheric changing of the guard (1:19)
3. Whilst off-center, one wasn't the I that you knew (4:12)
4. Before there was heaven... (4:23)
5. Look! Inside each and every tree lives a dying monk (4:11)
6. The meshing of three forgotten souls (1:45)
7. Beyond dirt stands cleanliness...beyond cleanliness stands truth...beyond truth stands existence (3:24)
8. The narrator awaits (1:42)
A perspex case displays a forgotten moment (2006) - for vibraphone, piano, harpsichord and electronics, a piece playing with resonance (4:45)
Elegie (2006) - for 8 female voices (4:52)
Fragments (2006) - electro-acoustic piece (7:58)
Live Performances
equus (1998) - for oboe, clarinet in Bb, bassoon, trumpet in Bb, horn in F and strings (approx. 8 mins)
what do you know about factory? (1999) - electro-acoustic piece (3:19)
angry concrete (1999 - 2001) - for double string quartet, one acoustic, one manipulated by electronics in real time
1.
octet (6:39)
2. duet
(5:29)
running fast and playing dead
(2000) - electronic piece created using acoustic string samples,
written as score to visual artist Mark Scott-Wood's experimental film
of the same name (9:58) high #1 (2000) - electro-acoustic piece (7:28)
staging discord (2001) - electro-acoustic piece created from piano samples (2:10)
inside out...unplugged (2001) - for flute, clarinet in Bb, horn in F, trumpet in Bb and piano, an acoustic realisation of an electro-acoustic piece by Ed Kelly (approx. 10 mins)
absence of noise (2002 - 03) - for 3 flutes, 2 oboes, 2 clarinets in Bb, bass clarinet, 2 bassoons, 2 horns in F, 2 trumpets in Bb, 2 trombones, tuba, marimba, xylophone, vibraphone, piano sustain and strings (approx. 15 mins)
one room (2004) - for 2 flutes, alto flute, 2 oboes, english horn, 2 clarinets in Bb, ba
ss clarinet, 2 bassoons, 4 horns in F, 3 trumpets in Bb, 3 trombones, tuba, glockenspiel, vibraphone, harp and strings (approx. 12 mins)
glass is made of sand (2005) - for chamber orchestra, field recordings, electronically generated sounds and electronic treatments (30:10 total)
1.
melting
(6:07)
2.
conditioning
(7:45)
3.
forming
(5:34)
4.
annealing
(10:44)
The Narrator Awaits... (2005 - 06) - for orchestra, voice, field recordings, electronically generated sounds and electronic treatments. Based on a short story by Michael G. Breece (26:18)
1. In the darkest crevice of the mind...one will find... (5:22)
2. Atmospheric changing of the guard (1:19)
3. Whilst off-center, one wasn't the I that you knew (4:12)
4. Before there was heaven... (4:23)
5. Look! Inside each and every tree lives a dying monk (4:11)
6. The meshing of three forgotten souls (1:45)
7. Beyond dirt stands cleanliness...beyond cleanliness stands truth...beyond truth stands existence (3:24)
8. The narrator awaits (1:42)
A perspex case displays a forgotten moment (2006) - for vibraphone, piano, harpsichord and electronics, a piece playing with resonance (4:45)
Elegie (2006) - for 8 female voices (4:52)
Fragments (2006) - electro-acoustic piece (7:58)
Live Performances
Mint
Bar,
London, U.K - 18 April 2001 (Matthew Glamoore, Richard Torry)
Sonic Arts Festival, University of East Anglia, Norwich, U.K - 7-9 July 2001 (billed with Evan Parker, Richard Barret, Jonathon Impett, Nick Melia, Shigeto Wada, Phil Archer, Thom Simmons)
Mint at Montague, London, U.K - 28 August 2001 (billed with Ernesto Tomasini, Matthew Glamoore, Richard Torry)
Southwark Cathedral, London, U.K - 9 September 2001 (billed with Jarvis Cocker, Ohm, members of London Sinfonietta)
Norwich Arts Centre, Norwich, U.K - 16th October 2001 (complete concert of own works, as part of the Sonic Arts Concert series)
Playhouse Bar, Norwich, U.K - 22 November 2001 (Phil Archer, Shigeto Wada, Ed Kelly)
The 12 Bar Club, London, U.K - 10 March 2002 (billed with Wild Billy Childish, Montana Pete, Crayola, Gaudi)
St Peter's Church, Vauxhall, London, U.K - May 11th 2002 (billed with Neil Kaczor Leo Chadburn, Katya Sourikova & The Sound Storm)
Sonic Arts Festival, University of East Anglia, Norwich, U.K - 7-9 July 2001 (billed with Evan Parker, Richard Barret, Jonathon Impett, Nick Melia, Shigeto Wada, Phil Archer, Thom Simmons)
Mint at Montague, London, U.K - 28 August 2001 (billed with Ernesto Tomasini, Matthew Glamoore, Richard Torry)
Southwark Cathedral, London, U.K - 9 September 2001 (billed with Jarvis Cocker, Ohm, members of London Sinfonietta)
Norwich Arts Centre, Norwich, U.K - 16th October 2001 (complete concert of own works, as part of the Sonic Arts Concert series)
Playhouse Bar, Norwich, U.K - 22 November 2001 (Phil Archer, Shigeto Wada, Ed Kelly)
The 12 Bar Club, London, U.K - 10 March 2002 (billed with Wild Billy Childish, Montana Pete, Crayola, Gaudi)
St Peter's Church, Vauxhall, London, U.K - May 11th 2002 (billed with Neil Kaczor Leo Chadburn, Katya Sourikova & The Sound Storm)
Schulich
School of Music of McGill University,
Montreal, Canada - 17 March, 2007 - The
Contemporary Keyboard Society.